Posted 20 hours ago

Kali Audio LP-6 Professional 6.5" Active Near Field Monitor Studio Speaker, black

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Sprinkle stated that "the tweeters are a proprietary blend of textile materials chosen for smooth frequency response and low distortion. When using the Kali LP-6 you can mix with more confidence and have the assurance that your mix will translate as best as possible to whatever systems your audience is listening on. With an eye towards the genre-defying, boundary expanding work of today’s most innovative artists, Kali strives to build products that will help makers at every level realize their vision without limitation.

The 2nd Wave versions have 12 dB lower noise floor, 3 dB higher output, smoother high frequency response, and other upgrades that benefit the acoustic and cosmetic quality of the speakers. The Lone Pine Series features a volume control knob on the back of the cabinet that can add up to +6 dB, as well as lower the volume to a mute position.Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers available on the market today, this results in you receiving a more accurate bass response that extends lower so you can dial in the exact low-end sound you need. I'm sure there's some unit-specific variance (supposedly some people get noise-free JBLs too) but after trying dozens myself - that's harder than hitting the lottery. However the volume pot on the rear feels a bit cheap and I'm not entirely convinced by the EQ dip switches on the rear. Your dealer can help you find the right TriadOrbit mounts for your application, and Kali is also here to help!

The results were impressive, and Matt and Will’s clients are well pleased with the mixes they’re delivering. In addition, the RCA input can be set to -10dBu sensitivity when using consumer devices like laptops or smartphone headphone jacks.Had it not had so much distortion and a couple of response issues, I would have given it my highest ratings. The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. Alain Roux introduced his designs in 1975, while a student at the Swiss Federal Institute of Technology in Zurich. In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you.

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