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Ariadne: The Mesmerising Sunday Times Bestselling Retelling of Ancient Greek Myth

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With her wonderfully executed debut that reimagines the classic tale of Theseus, Adriane and the Minotaur, Jennifer Saint joins the likes of Madeline Miller and Pat Barker in forging mesmerising retellings of ancient Greek myths from a female -perspective. When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. Saint joins the likes of Madeline Miller and Pat Barker in forging mesmerising retellings of ancient Greek myths from a female perspective. When you read Greek Mythology, you know tragedy is just lurking around the corner and this book is no different. Although many years have passed since then, when I remember Daedalus, I see a young man full of energy and the fire of creativity.

But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that drawing the attention of the mercurial gods may cost her everything. The most famous part of Ariadne's story, helping Theseus escape the labyrinth and defeat the Minotaur, is only the beginning of this sweeping mythological novel. As you might expect, the language, the sentences, and the ideas are all exciting and vividly rendered with an intense musicality. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods – drawing their attention can cost you everything. Hero Theseus arrives in Crete after offering himself up to be sacrificed in place of a child to go through King Minos’ labyrinth, and face the Minotaur, a half-bull, half-human creature.It was a gift to resentful nobles, laughing merchants, brooding slaves, girls riven with fascinated, ghoulish horror, young men entranced with the daring freakishness of it; the mutterings and murmurings and disapproving hisses and sniggering jeers were carried on the wind into every corner of the palace itself.

On the whole, Saint is writing in a mode that is neither realist nor fantasy but an awkward place in between. This focuses not only on Ariadne, but also her sister, her mother and the women followers of Dionysus. At the center gleamed a huge, polished circle, and this was where I spent the happiest hours of my youth. I did not feel like an annoying child, a daughter who would never command a fleet of ships or conquer a kingdom and so was of little use or interest to Minos.As their lives criss-cross through girlhood and womanhood, the secrets that their husbands keep become a monstrous backdrop to their relationship. One day, having noticed my covetous gaze, he presented me with a tiny golden pendant of my own—two bees entwined together around a tiny piece of honeycomb. ARIADNE gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods.

When Theseus, Prince of Athens, arrives as a sacrifice to the beast, Ariadne sees in him her chance to escape. She must punish the girl who was so shameless as to be overpowered by Poseidon and to offend Athena’s sight so vilely with her undoing.As I was combing through my little sister’s silken tresses, a gift we shared from our radiant mother, I began to weep, fearfully regarding each golden curl as bait to those divine colossi that strode the heavens and could snatch up our tiny triumphs and rub them into dust between their immortal fingers. Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

No missing or damaged pages, no creases or tears, no underlining or highlighting of text, and no writing in the margins.Jennifer Saint's Ariadne is a shimmering tapestry of two sisters bound by deceit and the shadows of family history. This is an exceptional debut and if you’re a fan of books by Madeline Miller and Pat Barker, this should definitely be your next read. He did not level his sleek, silver vengeance directly at Minos, the man who had sought to betray him and dishonor him, but turned instead upon my mother, the queen of Crete, and riled her to insanity with passion for the bull. Saint definitely went the Greek tragedy route, without modernizing this story, telling a different version, or fleshing it out enough. The dramatic pacing and suspense in Kreinik’s performance will more than satisfy mythology fans and perhaps draw a new audience to the genre.

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