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Midnight” is a song about finding a love that is so true that it provides a calming feeling through every storm. In 1987, George Harrison released a cover version of the song on his album Cloud Nine, which he had recorded on his Dark Horse Records label. While he was in Benton, Harrison sat in with a local band at a VFW Hall, took in a drive-in double feature, and bought the Rickenbacker that he’d play on Ed Sullivan five months later. I was blown away by the back and wouldn’t hesitate to read Lea’s next book; it ended up being pretty solid.
Still, Harrison had himself a hell of a backing band for that song: Lynne on bass and keyboards, Jim Keltner on drums, Jim Horn on saxophone, Ray Cooper on percussion. When Harrison conceived the Cloud Nine album, he looked for a producer who could carry some of the load and not be intimidated by working with a former Beatle. Crystal struggling with the negative comments and her insecurities made me anxious and upset for her. This track is about is about questioning why the sky would choose to be blue if it had the choice to be anything else, “blue also meaning sad,” states frontman Aaron Pauley.It is used for chart peak positions as early materials were released before ARIA regulated the Australian charts itself (1989).
It’s more about her journey on this self-love path and how fatphobic stereotypic comments on her platform create obstacles making her rethink the base of her body positivity campaign. While the girl watches Harrison and his band (including Jeff Lynne on bass) in a movie viewer, the young man tries to win a toy ballerina for the girl. While Crystal sometimes drove me insane with her endless assumptions, Scott turned out to be such a cool guy. I couldn’t resist this adorable cover, and it really captures the mood very well: this laid-back romance features a curvy, (mostly) confident heroine and a muscular hero who acts like an alpha but secretly has a love center.It’s incredibly strange to think that a new Beatles song was competing with Mariah Carey and Boyz II Men on the charts, but that happened. The first time Harrison heard the song was during a visit to his sister in the United States in 1963—five months before the Beatles first appeared on The Ed Sullivan Show. With little energy left for men after her recent breakup, she instead finds solace in the gym, her place of strength and positivity. This isn’t about the character realizing to accept her body and learn self-love as she already knows it, she already working on it by inspiring women like her who is not size zero, advocating healthy life without measuring calories. It was written and produced by Steve Jolley and Tony Swain and released as the final single from Bananarama's album True Confessions.
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